An Essay of Dramatic Poesy

commode Dryden, a heavy(p) English poet, dramatist, translator and critic. He was natural on August 19, 1631, in Aldwinkle, North group Atonshire, England. He was graduated from trinity College, Cambridge. In 1657 he moved to London to begin his line of achievement as a professional writer, unfortunately his first animate The Wild Gallant (1663), was a failure. He has a curing of successful kit and boodle like: All for love, heroic stanzas as well as a major critical topic (An Essay on Dramatic Poesy) and a number of translations. John Dryden died in London on May 12, 1700.

Such a great critical work was the reason behind Drydens title fuss of English criticism. He wrote this leaven two years afterward the Restoration and the reopening of the theaters in England (1688). This essay was an inspiration for other(a) writers to much(prenominal) a critical works, as so it was considered one of the of import models for the modern prose; moreover it creates the school of English criticism. Although the essay was spirited, graceful, & confident, it was a little bit tricky & pedantic since there is a group of view being express.



Dryden wrote this essay to develop the English theater and drama, by discussing the classical works and whether art should imitate nature or artists should imitate other artists, he also mentioned The Three Unities (time, place, and action) besides that he argues that the prominent work should follow the rules of the Decorum, and be polite, wit, and clear.

Dryden wrote this essay as a dramatic dialogue between poet and critics who have different viewpoints most the strengths and weaknesses of, and influences on, British poesy. The dialogue was made by foursome characters representing four critical positions. These four critical positions deal with five issues. Those speakers are: Crites, Eugenius, Lisideius, and Neander. The advantage...

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