Wikipedia encyclopedia suggests the word experience may refer (somewhat ambiguously) twain to mentally unprocessed immediately-perceived events as well as to the purported cognizance gained in subsequent reflection on those events or rendering of them. Most wisdom-experience accumulates over a period of time, though sensation can also experience (and gain general wisdom-experience from) a single specific momentary event. In novels On the street and Saint Maybe, by Jack Kerouac and Anne Tyler, the authors stress upon vitality as a set of experiences and how these builds a somebody.
Utterly and completely silly are the images, blowing and twisting on the maelstrom of their whims, each lunging torture of a mental process reflected in miles. A express mirth blue sky above waiting to swallow one a digest, a gleefully roaring engine burning ravenously in front, the road and its devils grinning wickedly below, Jack Kerouacs characters go flying off randomly along the twisted contours of their lives in his autobiographical epic On the Road.
In Part I, Chapter 11, when Paradise abandons his screenplay in order to find a job,shadow of disappointment crosses Remi Boncoeurs flavor; even though no words are utter at this point, the look on poor Remis face is preferably enough to form a rhetorical appeal.
The look conveys the sentiments of the primal characters of the book that trivialities such as everyday jobs should be toss aside in favor of following ones dream. For one, this is an appeal from character; Remi, crestfallen that Sal has turned his back on his dream, is a person who has no qualms about stealing couches, or food, or stripping a ghost ship of its valuables. In this way, his desire to live the moment is connected with his questionable morals--a problem somewhat relieve when his general goodness is illustrated by having him try...
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