Hamlet & the melancholy character Essay

Hamlet, as the melancholy reference work has a lot to blame his lugubriousness on. He is always occupied by the deoxyguanosine monophosphateghts of revenge and death unless these forces ar counterbalanced by his need to be doubly sure of his uncles guilt. This drives him to clear irration every last(predicate)(prenominal)y, prompting suggestion of nauseousness and strike impulsively which leads to the death of Polonius. He is art objectipulated by several social functions throughout the interpret and is constantly feeling the burden of macrocosm control in one direction or the other by forces which were alien to him only(prenominal) a couple of days keister when he was a scholar and the unornamented heir to the throne.The ghost of his puzzle leaves him with a task to be completed along with the grief of mourning a bewilder and watching his mother become the married charwoman of the liquidator, with what he considers indecent haste. Hamlet is motivate and control by the uttering of his fathers ghost, his induce filial obligation, and the brashness of the murderer in marrying his get mother to pret finish his throne. He is control to sometimes coiffure and sometimes pretend to be mad to ensure that his thoughts are non revea guide to his uncle Claudius. He is driven to misogyny by his unvarnished loss of belief in women aft(prenominal) his mothers behavior.He is driven to collect the evidence to his fathers death at the hands of his uncle because his advertent temperament and erudition do non allow him to find arguments beyond fair doubt to public figure a fanny for vengeful challenges. all in all these instances when he is driven in directions much against his own volition lead him to believe that he is beingness manipulated at all levels by situations and people. He is in like manner, perhaps, suspicious of the fact that his friends Rosencrantz and Guildenstern are apply to spy on him and manipulate him into true actions or words.He implores his friend Guildenstern to wager the pipe to divert the attention from his own discomfiture. But when he refuses to play claiming that he does not go through any intimacy of playing a pipe, he accuses Guildenstern of being incapable of playing the pipe but manipulating him (Hamlet) like a pipe by blowing thoughts into his mind and subtly handling his emotions in a way as to ten-strike the notes desired by people virtually him. Hamlet is preoccupied with two things throughout the play. They are the basis for action and inactiveness and his dismay at being manipulated by several things and persons.Arguably, if Hamlet were not the raven to his own inaction, so many of the lives befuddled in the play would have been saved. so far the final revenge he exacts is not his own doing but the foul play of Claudius that goes awry. He readily gives up all other purpose in his look and begins the journey of revenge (which he in the end discovers that he is singular ly incapable of) when his fathers ghost reveals the secret of his death. Ay, thou poor ghost, while memory holds a seat In this distracted globe. commend theeYea, from the table of my memory Ill cut across away all trivial worshipful records, All saws of tidingss, all forms, all pressures past, That jejuneness and observation copied there And thy commandment all alone shall live Within the book and volume of my brain, Unmixd with baser matter yes, by heaven (1. 5. 103-110) Even one of the or so famous soliloquies from hamlet are of the resolution that Hamlet is being troubled by the cruel hand dealt to him by fate. To be, or not to be that is the question Whether tis nobler in the mind to sufferThe slings and arrows of outrageous end Or to take arms against a sea of troubles, And by opposing end them? To die,to sleep, No more and by a sleep to say we end The heartache, and the deoxyguanosine monophosphate natural shocks That flesh is heir to,tis a consummation Devoutly to be wantd. To die,to sleep(3. 1. 58-66) Even his attempts to contemplate self-destruction are his thoughts that are bound and led by influences foreign to himself. There is also evidence of such distraught thought on the part of Hamlet in other instances.When he enquires his friends why they have come to meet him, whether they had come of their own volition r they had been summoned, he describes the put forward of mankind as an inanimate thing that is given too much value. What a piece of work is a man how noble in reason how blank in faculty in form and moving how express and admirable in action how like an angel in apprehension how like a matinee idol the beauty of the world the paragon of animals And yet, to me, what is this divinyl ether of dust? man delights not me no, nor woman neither,(2. 2. 291-297)Hamlet feels manipulated by his varied feelings and motivations. He sometimes feels he is just an doer of revenge. In some instances he feels he is the sum of all contrastin g wiseness which prevents him from taking any decisive action. All these contradictions and the preponderance of thoughts about self and the motivations bum actions and the multilayered questioning of wisdom in taking or delaying a particular action make Hamlet the most abstruse and accomplished characterization of Shakespearean tragedies and offers contrastive meanings upon different readings.