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Tuesday, February 5, 2019

the cathedral :: essays research papers

At a glance stonecutters writing style of the Cathedral seems simple but by and by further interpretation of the stage one realizes that the Cathedral is close to the interactions and epiphanies that perpetual pack have that changes their entire life. This idea is perfectly represented at the lay off of the Cathedral, throughout the fib the preserve knew nothing about blind people and wondered how can they live their life without being adequate to(p) to see. He continually made references to the effect of how can he be married and not be sufficient to see his wife, if she had makeup gallant slacks and so on he would never know. At the end of the story the husband became closer to the blind man through the rough drawing exercise and when he asked him to close his eyes so the husband was able to see things as the blind man saw them he complete that being blind wasnt that bad it was just a incompatible type of life style. Because Carver writes about simple commonplace si tuations this makes the story more affective to the average person. Topics such as loss and dose and alcohol use are things that almost everyone can relate to because it affects almost everyones life in one facet or another. Because this is the parsimoniousness of Carvers story it allows more people enjoy and relate to the stories this also leaves the story for more personal interpretation. Each person has their own thoughts about drugs, alcohol and loss and because of these feeling the interpretation of the story is left up to the reader. The husband was amazed at the blind mans ability to smoke a fundament and eat food as well as he was able to. These are all commonplace objects and task that many people would remember that the blind would have trouble with, but this stereotype was quickly make away with once they began to eat and smoke.Carver is defiantly an optimist, he believes in the ability for people to change and be more acceptable of people that are different, and d isabled.

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